Paul Celan: Microliths

21 October 2019

True poetry is antibiographical. The poet’s homeland is his poem and changes from one poem to the next. The distances are the old, eternal ones: infinite like the cosmos, in which each poem attempts to assert itself as a — minuscule — star. Infinite also like the distance between one’s I and one’s You: from both sides, from both poles the bridge is built: in the middle, halfway, where the carrier pylon is expected, from above or from below, there is the place of the poem. From above: invisible and uncertain. From below: from the abyss of hope for the distant, the future-distant kin.

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