Richard Hughes: The Sound and the Fury

13 January 2019

There is a story told of a celebrated Russian dancer, who was asked by someone what she meant by a certain dance. She answered with some exasperation, ‘If I could say it in so many words, do you think I should take the very great trouble of dancing it?’
It is an important story, because it is the valid explanation of obscurity in art. A method involving apparent obscurity is surely justified when it is the clearest, the simplest, the only method possible of saying in full what the writer has to say.

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